cut open in half. see what's inside, 2023
Die Biest Residency, Galvani Galarie
Residency exhibition together with Sarai Rose Duke.
Tarus Bone 2026
Japanese Knotweed (svenska: parkslide), steel, shellac, woodglue, pigments
210 x 220 x 450 cm
Cosmopolitan Distribution 2026
Group of 6 sculptures
from MFA year 1 exhibition, Konstfack
Juvenile Plumage 2026
Japanese Knotweed (svenska: parkslide), shellac, pigment, woodglue, aluminium
55 x 25 x 80 cm
The Children 2026
Aluminium cast from plaster original
35 x 45 x 35 cm
2 Euroasian bittern / Rördrom, 2026
Japanese knotweed, shellac, woodglue, pigments
130 x 40 x 35 cm
flyttar in i övergivna torparugnar liksom bodde där värme kvar, 2022
Work for Bachelor exhibition. Bergen, Norway.
Made with bricks from demolition sites around Bergen. Mortar made of clay and sand. Sculptures made of soapstone from an old quarry in the area.
Every morning during the exhibition period I fired in the oven and rearranged the setting around it.
The oven was placed outside the entrance of the school building. I wanted it to be standing in front of the authoritarian style of the newly built schoolbuilding. Forming a new a place to stance and talk with each other, and a reminder of forgotten work and material
Title is a quote from Harry Martinssons essay collection Svärmare och Harkrank. It would translate to: "Moving into abandoned crofter's ovens as if the warmth still remained"
diele’ktrikum 2025
Room installation. Vibration speakers, aluminium, japanese knotweed, wood glue and shellac. Sound piece 5:52 min loop
Heights: 170, 80 och 110 cm
from the exhibition; spänningsreglage - ett åliggande till förbindelse; ett sökande efter värme
Heron and Frog 2024
Steel.
Heights: ca 175 and 65 cm